Reperformance of Imponderabelia
2010It is important to note that in the original performance the only way to exit the space was through Imponderabelia. In order to accommodate visitors with disabilities or those uncomfortable with the piece, an alternative path was provided for the reperformance. Also, one male and one female were not used for every reperformance as was the case with the original.
(via fyeahwomenartists)
Installation view, Wing One from The Dinner Party
Embroidery on linen and china paint on porcelain
(via fyeahwomenartists)
![thedailywhat:
How About That of the Day: A print of Cindy Sherman’s “Untitled #96” (above) was recently purchased at a Christie’s auction by New York dealer Philippe Segalot for $3.89 million, making it the most expensive photograph of all time.
The record was previously held by Andreas Gursky’s “99 Cent II Diptychon,” which brought in a paltry $3.35 million five years ago.
[boingboing.]](http://25.media.tumblr.com/tumblr_llggmvjcQM1qzpwi0o1_1280.jpg)
How About That of the Day: A print of Cindy Sherman’s “Untitled #96” (above) was recently purchased at a Christie’s auction by New York dealer Philippe Segalot for $3.89 million, making it the most expensive photograph of all time.
The record was previously held by Andreas Gursky’s “99 Cent II Diptychon,” which brought in a paltry $3.35 million five years ago.
[boingboing.]
Louise Bourgeois and Tracey Emin, 2010. Portrait by Brigitte Cornand
(via Spread ArtCulture: Exhibition: Louise Bourgeois and Tracey Emin Relive Their Past Together)
(via fyeahwomenartists)
Tracey Emin
Tracey Emin - Exorcism of the Last Painting I Ever Made, 1996
PerformanceIn 1974, Joseph Beuys did a performance called I Love America, and America Loves Me where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature. In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.
Louise Bourgeois / Tracey Emin. Do Not Abandon Me, 2009 - 2010 Deep inside my heart. Archival dyes printed on cloth, suite of 16 30 x 24 inches (76.2 x 61 cm.)
In a rare collaboration, a year before her death, the late artist Louise Bourgeois painted 16 works and sent them to Tracey Emin to complete. Bourgeois sent Emin a set of 16 delicate gouache paintings of the human form. Emin began to draw on the images, adding tiny figures and text.
(via fyeahwomenartists)
